Maggie Boyd

Brooklyn, New York

she/her

Why clay?

I love that it’s not a straightforward line to drawing a picture when you work with clay, you have to part with it a couple of times into a fiery unknown and so the illusion of control is always being challenged.

What music, audiobooks, or podcasts are filling your studio airtime lately?

I just listened to all 38 hours of the Count of Monte Cristo audiobook.

In an emergency, where you can only save one ceramic object- what piece do you rescue and why?

In the case of a fire I’d get the heck outta there but toss a cone pack over my shoulder to see what temp it got to!

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Yael Braha